LNELecture Notes in Education, Arts, Management and Social ScienceTBA2705-053XWHIOCE PUBLISHING PTE. LTD.10.18063/LNE.v3i11.1460ArticleDocumentaries and Cultural Projects from the Perspective of Media Convergence: Taking "Shengshi Xiudian" and "Comprehensive Collection of Ancient Chinese Paintings" as Exampleshttps://artdesignp.com/journal/LNE/3/11/10.18063/LNE.v3i11.1460ChenCongyi20253112025-12-01 From the perspective of media convergence, this paper systematically and hierarchically combines theories of media convergence, visual culture, and documentaries to conduct a highly clear and solid analysis of the functional mechanism of the documentary "Shengshi Xiudian" in the "Comprehensive Collection of Ancient Chinese Paintings" project. First, it clarifies the interface relationship between content integration, knowledge translation, and public communication in documentaries, and then naturally transitions to its function and significance in the flow of cultural resources and the construction of cultural memory. Subsequently, it specifically investigates the practical operations of "Shengshi Xiudian" in visual reconstruction, evidence mechanisms, and knowledge translation. Finally, it draws a clear conclusion that documentaries serve a two-way empowerment role as media interfaces and accordingly proposes practical suggestions for incorporating film and television communication into cultural project planning in advance.Media convergence, Documentary, Comprehensive Collection of Ancient Chinese Paintings, Knowledge translation

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