<?xml version="1.1" encoding="utf-8"?>
<article xsi:noNamespaceSchemaLocation="http://jats.nlm.nih.gov/publishing/1.1/xsd/JATS-journalpublishing1-mathml3.xsd" dtd-version="1.1" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><front><journal-meta><journal-id journal-id-type="publisher-id">EIR</journal-id><journal-title-group><journal-title>Educational Innovation Research</journal-title></journal-title-group><issn>3029-1844</issn><eissn>3029-1852</eissn><publisher><publisher-name>WHIOCE PUBLISHING PTE. LTD.</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.18063/EIR.v4i4.1930</article-id><article-categories><subj-group subj-group-type="heading"><subject>Article</subject></subj-group></article-categories><title>“Body Genes” Get to be Seen: A Study of Living Heritage Transmission of Baima Tibetan Dance in Digital Field Work</title><url>https://artdesignp.com/journal/EIR/4/4/10.18063/EIR.v4i4.1930</url><author>LiaoSha,ZhangTing,SunRuoshui</author><pub-date pub-type="publication-year"><year>2026</year></pub-date><volume>4</volume><issue>4</issue><history><date date-type="pub"><published-time>2026-04-26</published-time></date></history><abstract>This study addresses the widespread issue of &amp;ldquo;preserving the form but losing the essence&amp;rdquo; in the digitization of dance-related intangible cultural heritage. Taking the Baima Tibetan dance as a case study, it constructs a methodological framework that integrates &amp;ldquo;digital fieldwork&amp;rdquo; and &amp;ldquo;body genes.&amp;rdquo; Moving beyond mere movement documentation, the research interprets the living cultural logic of dance through three levels: form, style, and semantics. It reveals that the &amp;ldquo;body genes&amp;rdquo; of Baima Tibetan dance are embedded in stable structures such as a low center of gravity, collectivity, and ritualistic nature, as well as embodied experiences like force application, breath, and spirit, elements that cannot be fully quantified. The core value of digital technology lies in serving as a medium for observation, interpretation, and dissemination, driving digitization from a technical &amp;ldquo;form-preserving&amp;rdquo; approach toward a cultural &amp;ldquo;essence-sustaining&amp;rdquo; one. This transformation turns digital outcomes into creative resources that revitalize traditional heritage in contemporary contexts.</abstract><keywords>Baima Tibetan dance keywords, Body gene, Digital fieldwork, Intangible cultural heritage, Living transmission, Lightweight AI</keywords></article-meta></front><body/><back><ref-list><ref id="B1" content-type="article"><label>1</label><element-citation publication-type="journal"><p>[1] Chen H, Zhu L, 2024, Research on the Factors Affecting Digitalization of Quanzhou Intangible Cultural Heritage Dances and Protection Strategies. Journal of Fujian University of Business, 2024(2): 71.
[2] Zhang Y, 2025, &amp;ldquo;Digital Field&amp;rdquo; as an Innovation in Qualitative Research. Social Sciences Today, 6(5): 8.
[3] Reshma MR, Kannan B, Jagathy Raj VP, et al., 2023, Cultural Heritage Preservation Through Dance Digitization: A Review. 28: 257.
[4] Chen L, 2019, Research on Digital Preservation of Traditional Dance, thesis, Chinese National Academy of Arts.
[5] Ma R, 2026, The Essence of Dance in the Digital Age: Reconstruction, Crisis and Preservation. Journal of Beijing Dance Academy, 2026(1): 7.</p><pub-id pub-id-type="doi"/></element-citation></ref></ref-list></back></article>
